| 研究生: |
施奕安 Ian Shih |
|---|---|
| 論文名稱: |
以線性區塊編碼提高音訊浮水印之強健性 Improving the Robustness of AudioWatermarking via Linear Block Code |
| 指導教授: |
鍾鴻源
Hung-Yuan Chung |
| 口試委員: | |
| 學位類別: |
碩士 Master |
| 系所名稱: |
資訊電機學院 - 電機工程學系 Department of Electrical Engineering |
| 畢業學年度: | 94 |
| 語文別: | 中文 |
| 論文頁數: | 67 |
| 中文關鍵詞: | 數位音訊浮水印 、展頻調變 、錯誤更正碼 |
| 外文關鍵詞: | Digital audio watermark, spread-spectrum, error-correction |
| 相關次數: | 點閱:10 下載:0 |
| 分享至: |
| 查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
數位音訊浮水印(Digital audio watermark)是把著作權或其他資訊嵌入音訊資料中的一種技術,為了維持原音訊的品質,被嵌入的資料在感知上是不能被聽到。本篇論文是利用展頻調變(Spread-spectrum)的方法,將浮水印訊號嵌入到聲音訊號之中,然後為了避免浮水印訊
號因傳輸失真或是訊號處理等過程而被破壞掉,我們加入以線性區塊碼(Linear block code)為基礎的錯誤更正碼技術,減少解出的浮水印所產生的錯誤率,進而增加浮水印訊號的強健性。在實驗裡,我們將會觀察有無錯誤更正碼與α值的大小,對實驗結果的影響,以及經過
MP3 壓縮之後,其有無錯誤修正編碼的差別,實驗結果將說明錯誤更正碼可以有效減少浮水印的錯誤率。
Digital audio watermark is a technique to embed copyright or other information into the audio data. The embedded data is perceptually
inaudible to maintain the quality of the host signal. The proposed method in this paper is to embed the watermark into the audio signal by using spread-spectrum modulation. To avoid the watermark being destroyed by the transmission failure or signal processing, we add the error-correction coding technique based on linear block code, so that the pixel error rate of
the extracted watermark can be reduced; thus, the robustness of the watermark is enhanced. In the experiment, we will observe the results
that influenced by α and the error-correction coding. After the MP3 compression, the results will show how the error-correction coding can
reduce the pixel error rate of the watermark pattern.
[1] M. D. Swanson, M. Kobayashi, and A. H. Tewfik, “Multimedia
Data-embedding and Watermarking Technologies,” Proceedings of
the IEEE, Vol. 86, Jun 1998, pp.1064-1087.
[2] F. Hartung, and M. Kutter, “Multimedia Watermarking Techniques,”
Proceedings of the IEEE, Vol. 87, Jul 1999, pp. 1079-1107.
[3] C. I. Podilchuk, and E. J. Delp, “Digital Watermarking: Algorithms
and Applications,”IEEE Signal Processing Magazine, Vol. 18, Jul
2001, pp. 33-46.
[4] Ercelebi E, Subasi A, “Robust multi bit and high quality audio
watermarking using pseudo-random sequences”, COMPUTERS &
ELECTRICAL ENGINEERING 31 (8): 525-536 NOV 2005.
[5] P. Bassia, I. Pitas, and N. Nikolaidis, “Robust Audio Watermarking in
the Time Domain,” IEEE Transactions on multimedia, Vol. 3, Jun
2001, pp. 232-241.
[6] A. N. Lemma, J. Aprea, W. Oomen, and L. van de Kerkhof, “A
Temporal Domain Audio Watermarking Technique,” IEEE
Transactions on Signal Processing, Vol. 51, Apr 2003, pp.
1088-1097.
[7] Sang-Kwang Lee and Yo -Sung Ho, “Digital Audio Watermarking in
the Cepstrum Domain,” IEEE Transactions on Consumer Electronics,
Vol. 46, Aug 2000, pp.744-750.
[8] W. Bender, D. Gruhl, and N. Morimoto, “Techniques for Data
Hiding,” IBM System Journal, Vol. 35, 1996, pp. 313-336.
[9] D. Gruhl, A. Lu, and W. Bender, “Echo Hiding,” Information Hiding:
First International Workshop, Cambridge, U.K., May 1996, pp.
295-315.
[10] 吳蕙如, “以回聲資訊隱藏為基礎的音訊浮水印技術設計,” 國立
交通大學資訊工程研究所碩士論文, 2001.
[11] L. Boney, A. H. Tewfik and K. N. Hamdy, “Digital Watermarking
for Audio Signals,” Processings of MULTIMEDIA ''96, IEEE, 1996,
pp. 473-480.
[12] M. D. Swanson, B. Zhu, A. H. Tewfik and L. Boney, “Robust audio
watermarking using perceptual masking,” Signal Processing, Vol. 66,
Nov 1997, pp. 337-355.
[13] C. Neubauer, and J. Herre, “Digital Watermarking and its Influence
on Audio Quality,” Proceedings of the 105th Convention of the
Audio Engineering Society, 26-29 September. 1998.
[14] I. J. Cox, J. Kilian, F. T. Leighton, and T. Shamoon, “Secure spread
spectrum watermarking for multimedia,” IEEE Transactions on
Image Processing, Vol. 6, Dec 1997, pp. 1673-1687.
[15] Bernard Sklar, “Digital Communications: Fundamentals and
Applications 2nd Ed”, Prentice Hall 2001
[16] 蔡若望,“餘弦轉換統計模型在音訊浮水印之研究,”國立交通大
學電信工程研究所碩士論文,2003.
[17] 張北辰,“音樂信號上的數位浮水印,” 國立台灣大學資訊工程研
究所碩士論文, 2001.